Via Grindhouse Theology ‘Climax’: Grasping At The City Of God [Ryan]

Climax is a vision of hell, more or less, and arguably a much better one than those ubiquitous productions of Heaven’s Gates, Hell’s Flames that played in churches throughout America at the tail end of the 20th century. “One’s neighbor is for them not only a potential helper or sexual object, but also someone who […]

via [Ryan] ‘Climax’: Grasping At The City Of God — Grindhouse Theology

Via Grindhouse Theology-I See Through a Mirror Dimly, A Screen Darkly: Or, A Brief Reflection on Technology

“There was a child went forth every day, And the first object he look’d upon, that object he became.” – Walt Whitman “We come to see ourselves differently as we catch sight of our images in the mirror of the machine.” These opening words to Sherry Turkle’s 1995 book Life on the Screen highlight a […]

via I See Through a Mirror Dimly, A Screen Darkly: Or, A Brief Reflection on Technology — Grindhouse Theology

[Caleb] Let’s Make Man in Our Image, & Let’s Scare Jessica to Death (1971) — Grindhouse Theology

Which brings me back to the topic at hand—that Let’s Scare Jessica to Death (1971) is a dramatic and distinctively American re-imagining of the Garden of Eden story that reveals how our progressive age is just as barbaric as the antediluvian world we encounter in Christian Scripture. And part of what drew my attention to this was the strange fact that Jessica (Zohra Lampert) reminds me so much of my own mother! The suffering of the former compelled me to revisit the situation of the latter. So the question I want to wrestle with here is what does Jessica have to do with Eve?

via [Caleb] Let’s Make Man in Our Image, & Let’s Scare Jessica to Death (1971) — Grindhouse Theology

Via Grindhouse Theology-Us: A Dark Easter [Radha]

***SPOILER ALERT*** Continue at your own risk. God brought them together. The Messiah taught them the glory of the light. The Messiah taught them how to live in the light. The Messiah taught them how to kill their old selves and take their place in the world as newly born. The Messiah brought them […]

via [Radha] Us: A Dark Easter — Grindhouse Theology

Via Grindhouse Theology-The Anxieties of Co-parenting: Identity & Transitional Loss in The Hole in the Ground (2019)[Trevor]

For Ander, who is growing into a lion that knows the lion who is good but not safe Cronin’s The Hole in the Ground (2019) opens with an extreme close-up of the protagonist, Sarah (Seána Kerslake), and her glowering expression sets the tone for the slow-burn, surreal horror flick produced by A24. Similar to Jordan Peele’s Us, the […]

via [Trevor] The Anxieties of Co-parenting: Identity and Transitional Loss in The Hole in the Ground (2019) — Grindhouse Theology

Via Grindhouse Theology-I Can’t See Where I’m Going, But I’ll Walk There Anyway: The Eschatology of Bird Box [Chris]

*Spoiler alert* Over the past few years, the streaming behemoth Netflix has been investing a lot of time and financial resources into their original programming. From series to stand-up comedy specials to full-length films, Netflix has provided its viewers with a steady stream of new content to keep them busy for quite a while. In […]

via [Chris] I Can’t See Where I’m Going, But I’ll Walk There Anyway: The Eschatology of Bird Box — Grindhouse Theology

Via Grindhouse Theology-Our Holy Book is a Horror Story: A Reflection on Christians and Horror Films [Chris]

I have been a fan of horror films since I was a young kid. If memory serves me correctly, the first horror film I ever saw was The Exorcist. It seemed to me, even then, there was something more here, something which allowed for further exploration. Even as a young kid, albeit in a very […]

via [Chris] Our Holy Book is a Horror Story: A Reflection on Christians and Horror Films — Grindhouse Theology