Of all the things the devil’s done, I wonder exactly how he was able to get Kirk Douglas — KIRK DOUGLAS! — to be in an Alberto De Martino ripoff of The Omen? I mean, this is the same director who made The Antichrist and Miami Golem! What horrifying secrets does the First of the Fallen have to […]
Produced and directed by Roger Corman, this movie was originally a double feature with Beast from Haunted Cave. When it was released to TV two years later, a new prologue was added by director Jack Hill to add to its running time. The musical score from this film may seem familiar, because it’s the same […]
By: Justin Hopkins **SPOILER WARNING** I found myself more excited for this movie than I originally thought I would be. I enjoyed the trailers. The little bit of what we have seen of the monsters, I liked. Really made me think about what they were. To a point, was was excited to see Kristen […]
Originally posted on blackwings666: DARK SHADOWS was a GOTHIC – HORROR – VAMPIRE – SOAP OPERA that ran from the years 1966- 1971. This truly is the weirdest soap opera ever made — possibly the weirdest TV show of all time. It is hard to believe that this program ever even existed in the first…
Just a short quote from Dracula (1897) that I rarely hear mentioned and haunts me to this day. Jonathan Harker’s love for Mina is so complete, he would willingly become one of the undead to stay by her side. THAT is the love story so often dropped from adaptations of this classic horror novel.
Chapter 22, Jonathan Harker’s Journal.
“To one thing I have made up my mind: if we find out that Mina must be a vampire in the end, then she shall not go into that unknown and terrible land alone. I suppose it is thus that in old time once vamprie meant many. Just as their hideous bodies could only rest in sacred earth, so the holiest love was the recruiting sergeant for their gastly ranks.”
The 1970s was a curious time for the world’s most famous vampire, Count Dracula, who was originally created by Bram Stoker in his classic 1897 novel of the same name. Despite ruling the screen for over a decade thanks to Christopher Lee’s iconic turn, Hammer’s incarnation of the character had now been exhausted to the point where, for their last three outings, he had been depicted as savaging London’s modern-day, hot-pants wearing youth, going undercover as an estate agent (!!!) and, rather wonderfully, stumbling into the martial arts genre. Elsewhere, the character had undergone Blaxploitation overhauls in Blacula and its sequel Scream, Blacula, Scream, and had entered the wilfully tragi-comic arena of the absurd with Paul Morrissey and Andy Warhol’s Blood for Dracula.
A heavy dose of Father Gore’s favourite films released in 2019